Learn the perceptive technique that allows you to unravel the mystery of time and aging.
“Look away from your watch and saunter into the ‘Theatre’.
Be present and learn to play with time.
The level of attention you direct towards time effects your body. In essence, the more you’re present, the less you age.
Your choice… sport sneakers or slip on orthopedic shoes on as you navigate the theatre.”
“My life’s a stationary crystal. Rather than growing, my eyes move further back from the ‘book’ where my perspective can see more. I now see it in my hands, rather than an inch before my nose.”
In this image, the character ‘X’Tzu’ is adorned under the ‘hat of mind’ and the ‘glasses of perception’. Fractal hexagrams can be seen, which symbolize the six sides, six triangles, and six angles that spuriously construct the perception of imagined ‘creation’.
“We grab onto others, and fly as a duo to see each other aging… at differing rates.
Aging is the perspective that takes more of the fractal realization in, while actively moving attention from one place to another.”
The level of attention you place on the movie makes it move ‘faster’ or ‘slower’. The seats represent places where one is receiving the ‘light’ (in-form-ation) from other temporarily segregated Wills.
“Do you see this? I’m holding a book.”
You can learn a simple technique that reframes the vantages of perception. The key is nestled within the angles of the very numbers you look at. In this case, the number#11, spoken ‘el even’, and a subconscious flip of the letter ‘L’ to ‘1’.
“It’s called ‘The 11:11 Luchador Gauntlet’. Now, if I place the book several inches from your eyes, what do you see?
A few words?”
When you combine unlearning with a particular insight, you immediately reframe how time is created.
“Alright, what if I pull the book away from your eyes... about a foot. What do you see now? A page?”
Embrace this perceptive technique to learn how to age slower (or faster if you like!) After all, you have choice.
“O.K., if I step back further… what do you see?
’Me, holding a book with a ridiculous smile painted across my face’?
Well, that particular movement is your life.”
“We move through our ‘lives’, between perceived ‘history’, but we’ve always ‘been’ right here.
That is, until we dis-cover the key to pass through our perceptive limitations.”
“Until then, we see all the events in the present as a culmination of some ‘historical’ plan. We buy into it... instead of understanding that we’ve focused upon a place in fractal history labelled ‘now’.”
The fractals we perceive are of our own making and consent.
“How do we move beyond?”
“Where the inflamed ego resides, it knows not that there’s ultimately no line between its artificial distinctions of observer, process of observing, and observed. Here, the observer looks to its reflection and asks, ‘Why its personality and experiential clothing appear as ‘aging’’
It’s blind to the knowing that it’s perception has no choice but to see time moving, for its nature has sprung from the very act of perceiving, its consequent imaginative thought process, and the unquestioning self-judgment that follows.”
Time is created by the amount of attention you place on self-affirming convenient distinctions between observer, the process of observing, and the observed.
“Time resides in souls with distinctive visions of ‘body’, those that perceive, and that which identifies with mind or thought.”
Eleven is 11, essentially two ‘1’s. So may I ask you, “What makes ‘L’ even? - (Answer: another ‘1’)
Proximity to the fractal combined with self-perceived motion ‘over’ the painting creates ‘time’ (in concert with other Wills of course).
“There can be no ‘body’ without the imaginary reflections of mind. The body always gets old. Upon the screen, as long as there’s time, there’s life and death. In the theater, the level of attention upon mind and body enhance or decrease their illusory-like machinations.”
“‘Mind’ depends on time to ‘exist’, and then ‘not exist’.”
(Uh, yeah… that’s the mind for you.)
The connection between time and fractals is seamless. Neither are found without playing the game of entertaining ‘others’ creations, or participating in the act of creation oneself.
“To a degree, the level of attention you direct towards moving attention across the fractal, time moves quicker or slower to effect your aging. The more you’re in the present, the less you age.”
